Photo: Kevin Mazur/Getty Images for Parkwoodĭullers found that feature was a bit uncharacteristic for the singer and “not Beyoncé style.” Though other fans disagree: Royal Williams attended the concert’s second stop in Brussels and found herself impressed by the set element, which she described as “a silver, kind of tank-like” structure onstage. She raps and bounces to the beat while a pole jutting up from the car-like structure anchors her movements.īeyoncé credits 20 dancers for the Renaissance tour on her website, including popular ballroom artist Honey Balenciaga. Dullers had last seen Beyoncé in 2016 and says that compared with his previous experience, this concert “had definitely scaled up.” One set feature he felt was almost too gargantuan was a large metallic vehicle atop which she performs her 2020 remix of Megan Thee Stallion’s “Savage” before transitioning into “Partition,” a hit from her 2013 self-titled album. Robin Joris Dullers detailed the same “magical” moment at her later Brussels concert in similar fashion, recalling the vocalist as “an angel floating midair.” The horse remained on stage for attendees to snap photos with post-performance. One of the most eye-catching features for Fantini was a point near the end of the show during which Beyoncé straddles a disco-ball-sparkly horse (which he said came across as roughly horse-size, as opposed to a much larger bucking half-horse figure that appears at another time in the concert) similar to the one she’s seen on in the Renaissance album cover, lifting off from the main stage to the Club Renaissance section seating nearby. Photo: Kevin Mazur/Getty Images for Parkwood There are 22 lighting crew members and one overarching lighting designer for the Renaissance tour, per.
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